"In China, culture and the arts are very closely linked to people and their lives. The street life in Beijing is a 24-hour live show full of music, dance and sports. Over a period of month residence time (September 2007), I was observing Chinese life, collecting 'road images', documenting quotidian performances (...)"
Sunday, October 31, 2010
outside
Tuesday, October 26, 2010
PRIVATE issue 50

"In contemporary China, uncertainty about what is “true” and what is “false”, “reality” and “appearance”, extends from the realm of photography to that of existence itself. We often feel that we are confronted with such an illusory, ambiguous, unexpected “reality” as to lead us to doubt not just our perceptions, but our very capacity for interpretation.[...] Perhaps the act of capturing and confining – if by means of a fictitious, illusory medium such as photography – some aspect of their surrounding environment constitutes a starting point from which Chinese photographers may consider it afresh, in more subjective, less commonplace terms, thus inventing it anew."
Tuesday, October 19, 2010
up the yangtze

- having a look at Muge's photography, as he tried to document the changes along the Yangtze due to the dam project;
- reading "River Town", by Peter Hessler, who in 1996 had spent 2 years in Fuling, a small town on the Yangtze, and worked as an English Literature teacher. He delivers an extremely enjoyable and genuine portrait of the people and land of the famous Three Gorges area.
Friday, October 8, 2010
dream of pink and a bit of blue
Friday, September 10, 2010
Monday, June 14, 2010
lights down low
"There's too many senses activated when I think about China, it's definitely left a lasting mark on me. And I hope that I captured the feeling I got on my very quick visit to this wonderful country. The trip was fast, exciting, and much too short."
Lights Down Low: In Shanghai from Lights Down Low on Vimeo.
Thursday, May 27, 2010
personal projects
Sunday, May 16, 2010
24 rooms
Saturday, May 15, 2010
back to the future
"When I was doing this series, I put forth a concept I call “I’m gonna regret the rest of my life if I give up my transformers and be a mama’s boy.” (如果为了比别的小朋友小红花多 而放弃玩变形金刚,我会遗憾终生的。)(...) We started losing that happiness in high school when we were pressured to study excessively, and now we are pressured to work excessively, etc. – but what’s it all for? What’s the relationship between the “ideal” and reality? Is the “ideal” that we spend so much time studying and working really all that great?Over the last few years there has been a resurgence of all things “retro” in China – 8-bit music, of course, can be included in this trend. This trend has greatly influenced me and my work. I think the reason people are into these things is not because the retro games or fashions of the past are better than the modern games or fashions or whatever. It’s mostly because people nowadays want to rediscover the happiness we all had when we were kids. That’s what’s happening with 8-bit music, it’s being made all over again as a re-fabricated retro thing because it makes us happy."
Saturday, May 8, 2010
t(h)ree
T(h)ree (http://www.myspace.com/projectothree) is a wonderful musical project that brings together, for the very first time, musicians from Portugal, Hong Kong and Macau. The sales of the album will be entirely donated to Unicef Hong Kong. In Macau the sales will be donated to: Anima (http://www.anima.org.mo/now/) and Na Terra (http://www.naterra.org/).
If you want to buy the album, you can contact Bloom Creative Network at www.bloomland.cn/antonio@bloomland.cn
Listen to the show by Hugo Pinto on Próximo Oriente (http://proximo-oriente.blogspot.com/) featuring the music made in Portugal, Macau & Hong Kong, as well as an interview (in Portuguese) with the man behind this adventure, David Valentim:
Friday, April 23, 2010
yan ming's photography
This post was originally posted on NeochaEDGE, a bilingual blog that I contribute to and that showcases emerging artists and creative content from China.
Yan Ming is a talented photographer based in Guangzhou. He took up photography in 2002 when he became interested in digital cameras but is currently using a Rolleiflex 2.8f.
He is a true master of the square format – if you take a look at his portfolio, you will discover a series of wonderfully framed black and white photographs with a great use of balance and beautiful repetition of forms.
In addition, Yan Ming manages to avoid the clichés of documentary photography as he does not merely rely on overly-sentimental and easily interpretable visual cues. He’s adept at capturing brilliant poses, which enable his work to tell incredibly nuanced stories fused with a great sense of humor.
To see more of his beautiful square format b&w photography link here.
I love this photograph of a bare-footed smoking man in the rain:
Tuesday, March 30, 2010
próximo oriente - auditory treats from asia
Become a Fan of Próximo Oriente on Facebook
Saturday, March 27, 2010
shallow sleep

It's saturday morning, it's cartoon morning!
Link here to watch a fantastic animation titled “Shallow Sleep” created by Beijing-based Little Kong and Feng Ling.
The eight-minute short invites viewers to follow the adventures of a young girl as she explores her dream universe and meets incredible creatures, bizarre machines, and singing robots. The short is characterized by resourceful transitions, beautiful coloring, and a story-line that manages to ingeniously diffuse the boundaries between reality and the surreal realm of the subconscious.
The animation’s soundtrack is by Neocha.com-user The Curry Soap and Cha Liangfen.
This post has been originally posted on NeochaEDGE, a bilingual blog showcasing creative content from China that I contribute to. Picture source: Little Kong on NeochaEDGE.
Wednesday, March 3, 2010
Thursday, February 11, 2010
artspeak china

Friday, December 18, 2009
jwt shanghai & hailong li: shan shui animation
This post has been originally posted on Neocha EDGE.
The China Environment Protection Foundation(CEPF) recently commissioned JWT Shanghai to develop three print advertisements using shan shui style art by renowned landscape artist Yang Yongliang. The advertisements, titled Global Warming, Industrial Pollution, and Automotive Pollution, aimed to raise public awareness of ongoing environmental damage to China’s environment and were displayed as subway posters and full-page newspaper ads.
The ads bear a striking resemblance to traditional Chinese paintings but, when looked at closely, portray environmentally unfriendly factories, cars, and buildings littering the landscape. The campaign has been a big hit with both the public and the press. The printed ads have received a number of international awards: Cannes Lions 2009 Outdoor Silver Ads, New York Festival Awards 2009, NYF 2009 Print Gold ads.
The print ads have been adapted into an excellent animated short (see below) directed by Li Hailong from Beijing's One Production to run on air and on plasma screens in the Shanghai People Square Subway Station. The animation short was awarded the "Spikes Asia Gold Craft Spike" prize in the Category "TV - Best Use of Animation/Computer Graphics/ Special Effects" at this year's Spike Asia - Asian Advertising Festival. Additionally, the entire campaign won a number of Lotus awards at AdFest 2009, including gold for social engagement, best use of illustration, best art direction, and animation.
Apart from its mere artistic value, the campaign has also communicational and educational value: Raising public and governmental awareness might be the first step towards change. The campaign's worth is to be seen in the fact that, it manages to highlight the threat that ignorance represents to cultural identity by making use of aesthetic cues charged with traditional value.
Li, a graduate of the Beijing Film Academy with a degree in animation, told us he did not try to solely address environmental issues but also social ones as well: "The campaign expresses a societal attitude change with respect to the concept of "survival" – it activates an "environmental mindset" by addressing motives deeply rooted in everyone's psyche: the universal drive for continuance and the desire for a comfortable life." Li explained that he made use of exaggerated imagery in order to emphasize the lack of space and suffocation people are confronted with today in China – a phenomenon, he says, that leads to increased levels of societal anxiety, confusion, and ultimately, a redefinition of necessity that exploits nature and replaces it with artificial substitutes.
Bravo JWT and One Production.
I would like to thank Hailong for his interview, patience and helpful comments.
Sunday, November 29, 2009
chinese beat: banana monkey
Saturday, November 28, 2009
the soliloquist
It's Saturday morning! It's cartoon morning!
Even though, I usually post animations from The Saturday Morning Cartoon Index, I have now decided to post other little jewels of animations that I find elsewhere, as well. This post was originally posted on NeochaEDGE, a wonderful site I was fortunate enough to be invited to contributed to.
"The Soliloquist" by Taiwanese illustrator and animator Ma Kuangpei (馬匡霈, aka Keats) is a modern fable about loneliness and self-deception. It tells the story of a heart broken man who receives letters and packages stating with the wrong addressee. Unable to return the letters, he starts to read them and develops a strange illusory relationship with his fictitious alter-ego.
Ma’s animated short combines Eastern and Western aesthetic concepts and is defined by a wonderful combination of collage and watercolor styles with brilliant transitions. Watch the entire six-minute film below.
Born in 1981, Ma graduated from the Tainan National University of the Arts. The Soliloquist (aka 我说啊,我说) was produced in 2008 as his graduation work. It has received amazing feedback ever since and was nominated and screened at numerous international film festivals. In 2009 it was awarded the “Little Nomad Prize“ at the Urban Nomad Filmfest in Taipei, Taiwan and it received the “Special Mention – Asian New Force“ at the Hong Kong Independent Short Film and Video Awards. Moreover, it has received the “Special Distinction Award” in the Graduation Films category at the 33rd 2009 Annecy International Animation Film Festival, becoming the first Taiwanese animated movie to receive an award at the competition. Ma’s success this year, in combination with this most-recent honor, will serve to show Chinese artists, most of whom are currently focused on the technical aspect of animation, another direction in which they can grow.
Friday, November 27, 2009
china in art
Thursday, November 26, 2009
china's creative cyberyouth
Here is a nice article I have found on censorship and how it may foster creativity. A case that emerged where creativity would be least expected? Let this article prove your preconceptions wrong!
The Flash Culture Revolution
by Duncan Rickelton (Shanghai, China)
“Jia Jun Peng, your mother wants you to come home for dinner.”
Sounds like a fairly innocuous phrase, doesn’t it? But in fact when it was posted on a Chinese internet forum last Thursday it gave rise to an unprecedented flash flood of public creativity: 300,000 responses within two days. What has transpired is fascinating not only for what it reveals about Chinese youth, but also for its wider sociological implications. It seems to indicate that the ever-quickening pace of cultural development is now moving up a gear, breaking the waters on an entirely new social trend: flash culture.
At 10:59pm last Thursday the message was posted on a forum operated by Baidu, China’s largest search engine. The first responses came within minutes, apparently from random members viewing the forum: “I’m not coming back home for dinner today. I’m eating at the internet café. Tell my mother for me, will you?”; “If you don’t come back home right now I’ll make you kneel on the washboard.” More responses began to pour in by the second, and after six hours there were more than 17,000 posts in the thread. Members had set up accounts as Jia Jun Peng’s mother, sister, grandfather, creating a humorous fictional dialogue between the characters. From Jia Jun Peng’s girlfriend: “Peng Peng, come back. Your mother has accepted we can be together. Let’s not argue.” There were soon entire stories being posted. The artists were also quick to get involved – every moment a new picture was Photoshopped and uploaded to the board, depicting President Obama entreating Jia Jun Peng to return home for dinner, or a government meeting in the Great Hall of the People to discuss “Jia Jun Peng’s dinner problem”.
Still no-one is exactly sure who Jan Jun Peng is, or whether he even exists at all. But it doesn’t really seem to matter. This is by no means the first example of mass creativity to emerge out of cyberculture. (...) But what is remarkable about the Jia Jun Peng phenomenon is the sheer volume of participation, and the rate of spread. By 1:38 pm on July 20th, four days after the initial post, the thread reached its limit of 315,649 posts. It was 10,421 pages long. (...)
However, that this has happened in China may be an eye-opener for the rest of the world. The rapidity of China’s economic development of recent years is undeniable, but there remained question marks about the capacity of the People’s Republic for creative innovation given the tendency of the education system to promote rote learning over individual creativity. The Jia Jun Peng thread, though, sends a strong message into cyberspace: there are fertile imaginations aplenty among China’s 21st century youth, and, given the right conditions, there is huge creative potential.
Whether the government will provide those conditions remains to be seen. They certainly do not seem to be loosening their grip on the internet – the recently adopted ‘Green Dam’ policy decrees that all new computers be manufactured with in-built filtering software. But Chinese netizens don’t take this kind of thing sitting down. When the government tried to clamp down on internet profanity earlier this year, the public responded by inventing ten ‘mythical creatures’ whose names were pronounced in a similar way to the banned expletives they represented (the ‘French-Croatian Squid’, for instance, pronounced in Mandarin fa ke you, actually referenced the pronunciation of a well-known English insult). There developed a whole sub-culture surrounding these mythical creatures, with images, faux-documentaries and songs being produced. Call it protest, call it ridiculous – but you can’t say it’s not creative.(...)






