Showing posts with label china. Show all posts
Showing posts with label china. Show all posts

Sunday, October 31, 2010

outside


I have recently watched a wonderful 15-minute documentary about Beijing and aspects of the life of its people, titled "Outside". The director, Sérgio Cruz, explains:
"In China, culture and the arts are very closely linked to people and their lives. The street life in Beijing is a 24-hour live show full of music, dance and sports. Over a period of month residence time (September 2007), I was observing Chinese life, collecting 'road images', documenting quotidian performances (...)"
But this beautiful piece of film, that portrays the fast-paced and busy life in the noisy and continually changing city, paradoxically manages to achieve a wonderful, tranquil effect by avoiding speech, creating beautiful transitions and using an overall slow pacing.

In my view, the film doesn not necessarily focus on the city itself or people's actions (be they dancing, performing or excercising) but rather on the context of these. And he manages to give the Western eye a glimpse of the interdependency and -connectedness of people in a collectivistic cultural frame.

Tuesday, October 26, 2010

PRIVATE issue 50



PRIVATE International Review of Photographs has released its 50th issue, titled: "China, True or Real?" I have already received a copy and have to say that it is now one of my favourite photobooks. It features the likes of Muge, Zhang Xiao and my favourite, Yanming.

"In contemporary China, uncertainty about what is “true” and what is “false”, “reality” and “appearance”, extends from the realm of photography to that of existence itself. We often feel that we are confronted with such an illusory, ambiguous, unexpected “reality” as to lead us to doubt not just our perceptions, but our very capacity for interpretation.

[...] Perhaps the act of capturing and confining – if by means of a fictitious, illusory medium such as photography – some aspect of their surrounding environment constitutes a starting point from which Chinese photographers may consider it afresh, in more subjective, less commonplace terms, thus inventing it anew."

Tuesday, October 19, 2010

up the yangtze



"Up the Yangtze" is a documentary film by Yung Chang, a young Chinese-Canadian director. The movie is about life in modern China in the Yangtze area. It mainly follows two characters, as they begin to work on board of a luxury cruise ship: a young, 16-year old girl, who comes from a modest family in a rural area and a young boy from a middle-class urban environment.

There are scenes that move the viewer by their cinematographic beauty, others are powerful due to the authenticity of the performances (my favrouites were: the prayer of the old lady, the father carrying the heavy closet up the hill, the young girl trying to proudly hold back her tears when her parents visit her on the ship). The luxury cruise ships were an opportunity for people to say goodbye to it, as it was slowly dissapearing as a consequence of the construction of the Three Gorges dam.

The Yangtze area has been subjected to immense change over the last years, due to the controversial Three Gorges dam project, the largest hydroelectric dam in the world. Its construction was not only extremely expensive, but it was aggressive and its necessity has been contested by many. The finalization of the project involved large transformations of the area, destruction and the relocation of over 2 million people.

To learn more about the film maker's inspiration, read this Q&A and/or watch this short interview.

Watch the trailer here:


I also recommend:
  • having a look at Muge's photography, as he tried to document the changes along the Yangtze due to the dam project;
  • reading "River Town", by Peter Hessler, who in 1996 had spent 2 years in Fuling, a small town on the Yangtze, and worked as an English Literature teacher. He delivers an extremely enjoyable and genuine portrait of the people and land of the famous Three Gorges area.

Friday, October 8, 2010

dream of pink and a bit of blue


I fell in love with this shot by Chinese photographer Seatory: the pose, the pink of the room, the dress and the curtain, and even the blue of the mask has a correspondent in the tiny hair tie. My favourite however are the blueish and pinkish color reflections in the hair...superb!

Friday, September 10, 2010

all the way to china - then i would stop


via Ricky So

Monday, June 14, 2010

lights down low

Here's a superb video postcard advertising for the beauty of China, and Shanghai in particluar. It was made by Patrick Biesemans with music by "Spirits in the Basement".

"There's too many senses activated when I think about China, it's definitely left a lasting mark on me. And I hope that I captured the feeling I got on my very quick visit to this wonderful country. The trip was fast, exciting, and much too short."

Lights Down Low: In Shanghai from Lights Down Low on Vimeo.

via @weelingsoh via The Shanghaiist

Thursday, May 27, 2010

personal projects


Whenever I get the time, I want to work on several personal projects:

1. visual inspiration from Romania, is a short series of posts (maybe 5?) that will help me introduce Romanian artists to a larger audience. The focus of these posts lies less on fine arts in the traditional sense but more on urban, pop & digital art and youth culture in Romania. The first part can be found here on KoiKoiKoi.

2. music from Macau is a short series of posts planned for NeochaEDGE. It will profile several bands and DJ's and feature interviews with them and music videos of live performances. I am also planning an article featuring interviews with Portuguese and Chinese people from Macau (music critics, producers etc), who describe and comment on the current state of the local music scene. I am not sure yet, where I could submit such an article, but the people I have met so far, make it difficult for me not to want to put everything I discover on paper.

3. Chinese photography is a young project and the one that motivates me most at the moment. The idea behind it was that I wanted to introduce Chinese photographers, who I discover and interview for NeochaEDGE, to a German audience. Since I have access to both cultures, why not make something beautiful out of it? I have the opportunity to guest-blog for a German photography blog and I received pretty much freedom in what and how I wanted to write. But the more I plan this article, the more confused I become about its concept and what I want to achieve with it. And on top of everything I anticipate that it will take time. It's a long process of viewing portfolios, conversing with photographers, Chinese bloggers and photography experts, using google translator A LOT, deciding on how to showcase together professional and amateur photographers of different generations and different styles. But the wait will be worth it!

It's so exciting to discover, share and hopefully inspire!

Sunday, May 16, 2010

24 rooms


I am so glad I was finally able to find an embeddable version of this. Here is a video of how a tiny appartment in Hong Kong can ingeniously be tranformed in 24 different rooms.

Saturday, May 15, 2010

back to the future


Here's this saturday's morning cartoon: a geat example of creative talent from China. It was made as an MV (music starts at 1:55) for Chinese 8-bit producer Baifan. It is the very first animation by Chinese animator, painter and VJ Wang Meng, whom I had the pleasure to interview for NeochaEDGE.

"When I was doing this series, I put forth a concept I call “I’m gonna regret the rest of my life if I give up my transformers and be a mama’s boy.” (如果为了比别的小朋友小红花多 而放弃玩变形金刚,我会遗憾终生的。)

(...) We started losing that happiness in high school when we were pressured to study excessively, and now we are pressured to work excessively, etc. – but what’s it all for? What’s the relationship between the “ideal” and reality? Is the “ideal” that we spend so much time studying and working really all that great?

Over the last few years there has been a resurgence of all things “retro” in China – 8-bit music, of course, can be included in this trend. This trend has greatly influenced me and my work. I think the reason people are into these things is not because the retro games or fashions of the past are better than the modern games or fashions or whatever. It’s mostly because people nowadays want to rediscover the happiness we all had when we were kids. That’s what’s happening with 8-bit music, it’s being made all over again as a re-fabricated retro thing because it makes us happy."

Saturday, May 8, 2010

t(h)ree


T(h)ree (http://www.myspace.com/projectothree) is a wonderful musical project that brings together, for the very first time, musicians from Portugal, Hong Kong and Macau. The sales of the album will be entirely donated to Unicef Hong Kong. In Macau the sales will be donated to: Anima (http://www.anima.org.mo/now/) and Na Terra (http://www.naterra.org/).


If you want to buy the album, you can contact Bloom Creative Network at www.bloomland.cn/antonio@bloomland.cn


Listen to the show by Hugo Pinto on Próximo Oriente (http://proximo-oriente.blogspot.com/) featuring the music made in Portugal, Macau & Hong Kong, as well as an interview (in Portuguese) with the man behind this adventure, David Valentim:



I have blogged about Hugo's show before, make sure you follow his mixtapes!

Friday, April 23, 2010

yan ming's photography


This post was originally posted on NeochaEDGE, a bilingual blog that I contribute to and that showcases emerging artists and creative content from China.


Yan Ming is a talented photographer based in Guangzhou. He took up photography in 2002 when he became interested in digital cameras but is currently using a Rolleiflex 2.8f.


He is a true master of the square format – if you take a look at his portfolio, you will discover a series of wonderfully framed black and white photographs with a great use of balance and beautiful repetition of forms.


In addition, Yan Ming manages to avoid the clichés of documentary photography as he does not merely rely on overly-sentimental and easily interpretable visual cues. He’s adept at capturing brilliant poses, which enable his work to tell incredibly nuanced stories fused with a great sense of humor.


To see more of his beautiful square format b&w photography link here.


I love this photograph of a bare-footed smoking man in the rain:


Tuesday, March 30, 2010

próximo oriente - auditory treats from asia


I've recently come across a wonderful Portuguese blog that features alternative musical inspiration from China and Asia. The program is called "Próximo Oriente/Middle East", it is created by Hugo Pinto and runs on Radio Macau. Have a listen, it is definetely worth it: an unexpected breath of fresh air, well-documented and with a lot of information on the musicians, if you understand Portuguese. Highly recommended!

Here's just a taster: All mixtapes are so good that I did not know which one to pick. I embedded the most recent one below:

Saturday, March 27, 2010

shallow sleep



It's saturday morning, it's cartoon morning!


Link here to watch a fantastic animation titled “Shallow Sleep” created by Beijing-based Little Kong and Feng Ling.


The eight-minute short invites viewers to follow the adventures of a young girl as she explores her dream universe and meets incredible creatures, bizarre machines, and singing robots. The short is characterized by resourceful transitions, beautiful coloring, and a story-line that manages to ingeniously diffuse the boundaries between reality and the surreal realm of the subconscious.


The animation’s soundtrack is by Neocha.com-user The Curry Soap and Cha Liangfen.


This post has been originally posted on NeochaEDGE, a bilingual blog showcasing creative content from China that I contribute to. Picture source: Little Kong on NeochaEDGE.

Wednesday, March 3, 2010

red jellyfish


photo by
Li Wei


Thursday, February 11, 2010

artspeak china


ArtSpeak China (ASC) is a bilingual (English/Chinese), online resource devoted to contemporary Chinese art. It is comprised of a wiki, a collaboratively authored, encyclopedia of contemporary Chinese art featuring 218 talented artists. It also includes a categorization according to various artistic movements and a timeline of related historical and social events. (via Ijoi)

Friday, December 18, 2009

jwt shanghai & hailong li: shan shui animation

This post has been originally posted on Neocha EDGE.

The China Environment Protection Foundation(CEPF) recently commissioned JWT Shanghai to develop three print advertisements using shan shui style art by renowned landscape artist Yang Yongliang. The advertisements, titled Global Warming, Industrial Pollution, and Automotive Pollution, aimed to raise public awareness of ongoing environmental damage to China’s environment and were displayed as subway posters and full-page newspaper ads.

The ads bear a striking resemblance to traditional Chinese paintings but, when looked at closely, portray environmentally unfriendly factories, cars, and buildings littering the landscape. The campaign has been a big hit with both the public and the press. The printed ads have received a number of international awards: Cannes Lions 2009 Outdoor Silver Ads, New York Festival Awards 2009, NYF 2009 Print Gold ads.

The print ads have been adapted into an excellent animated short (see below) directed by Li Hailong from Beijing's One Production to run on air and on plasma screens in the Shanghai People Square Subway Station. The animation short was awarded the "Spikes Asia Gold Craft Spike" prize in the Category "TV - Best Use of Animation/Computer Graphics/ Special Effects" at this year's Spike Asia - Asian Advertising Festival. Additionally, the entire campaign won a number of Lotus awards at AdFest 2009, including gold for social engagement, best use of illustration, best art direction, and animation.

Apart from its mere artistic value, the campaign has also communicational and educational value: Raising public and governmental awareness might be the first step towards change. The campaign's worth is to be seen in the fact that, it manages to highlight the threat that ignorance represents to cultural identity by making use of aesthetic cues charged with traditional value.

Li, a graduate of the Beijing Film Academy with a degree in animation, told us he did not try to solely address environmental issues but also social ones as well: "The campaign expresses a societal attitude change with respect to the concept of "survival" – it activates an "environmental mindset" by addressing motives deeply rooted in everyone's psyche: the universal drive for continuance and the desire for a comfortable life." Li explained that he made use of exaggerated imagery in order to emphasize the lack of space and suffocation people are confronted with today in China – a phenomenon, he says, that leads to increased levels of societal anxiety, confusion, and ultimately, a redefinition of necessity that exploits nature and replaces it with artificial substitutes.

Bravo JWT and One Production.

I would like to thank Hailong for his interview, patience and helpful comments.

Sunday, November 29, 2009

chinese beat: banana monkey


Through the bilingual website NeochaEDGE, I have recently discovered some great Chinese bands and I would like to do a sereis on posts on them. For the rest of the series, check out the "Chinese Beat" tag.

Here's a video of "Drunk Daddy" of one of my favourites: Banana Monkey. The sound quality is not perfect, but it gives a good idea of what these guys can do :)

Saturday, November 28, 2009

the soliloquist

It's Saturday morning! It's cartoon morning!


Even though, I usually post animations from The Saturday Morning Cartoon Index, I have now decided to post other little jewels of animations that I find elsewhere, as well. This post was originally posted on NeochaEDGE, a wonderful site I was fortunate enough to be invited to contributed to.


"The Soliloquist" by Taiwanese illustrator and animator Ma Kuangpei (馬匡霈, aka Keats) is a modern fable about loneliness and self-deception. It tells the story of a heart broken man who receives letters and packages stating with the wrong addressee. Unable to return the letters, he starts to read them and develops a strange illusory relationship with his fictitious alter-ego.


Ma’s animated short combines Eastern and Western aesthetic concepts and is defined by a wonderful combination of collage and watercolor styles with brilliant transitions. Watch the entire six-minute film below.


Born in 1981, Ma graduated from the Tainan National University of the Arts. The Soliloquist (aka 我说啊,我说) was produced in 2008 as his graduation work. It has received amazing feedback ever since and was nominated and screened at numerous international film festivals. In 2009 it was awarded the “Little Nomad Prize“ at the Urban Nomad Filmfest in Taipei, Taiwan and it received the “Special Mention – Asian New Force“ at the Hong Kong Independent Short Film and Video Awards. Moreover, it has received the “Special Distinction Award” in the Graduation Films category at the 33rd 2009 Annecy International Animation Film Festival, becoming the first Taiwanese animated movie to receive an award at the competition. Ma’s success this year, in combination with this most-recent honor, will serve to show Chinese artists, most of whom are currently focused on the technical aspect of animation, another direction in which they can grow.


Friday, November 27, 2009

china in art


Here are two artists who make use of 'China' to create fascinating works of art:

Li Xiaofeng is a Beijing based artist who creates beautiful sculptures that can actually be worn. His creations are made out of traditional Chinese ceramic shards coming from the Song, Ming, Yuan and Quing dynasties, which are then sewn together on a leather undergarnment (picture source Arrested Motion).







Thursday, November 26, 2009

china's creative cyberyouth


Here is a nice article I have found on censorship and how it may foster creativity. A case that emerged where creativity would be least expected? Let this article prove your preconceptions wrong!


The Flash Culture Revolution

by Duncan Rickelton (Shanghai, China)

via Juxtapoz Magazine


Jia Jun Peng, your mother wants you to come home for dinner.


Sounds like a fairly innocuous phrase, doesn’t it? But in fact when it was posted on a Chinese internet forum last Thursday it gave rise to an unprecedented flash flood of public creativity: 300,000 responses within two days. What has transpired is fascinating not only for what it reveals about Chinese youth, but also for its wider sociological implications. It seems to indicate that the ever-quickening pace of cultural development is now moving up a gear, breaking the waters on an entirely new social trend: flash culture.


At 10:59pm last Thursday the message was posted on a forum operated by Baidu, China’s largest search engine. The first responses came within minutes, apparently from random members viewing the forum: “I’m not coming back home for dinner today. I’m eating at the internet café. Tell my mother for me, will you?”; “If you don’t come back home right now I’ll make you kneel on the washboard.” More responses began to pour in by the second, and after six hours there were more than 17,000 posts in the thread. Members had set up accounts as Jia Jun Peng’s mother, sister, grandfather, creating a humorous fictional dialogue between the characters. From Jia Jun Peng’s girlfriend: “Peng Peng, come back. Your mother has accepted we can be together. Let’s not argue.” There were soon entire stories being posted. The artists were also quick to get involved – every moment a new picture was Photoshopped and uploaded to the board, depicting President Obama entreating Jia Jun Peng to return home for dinner, or a government meeting in the Great Hall of the People to discuss “Jia Jun Peng’s dinner problem”.


Still no-one is exactly sure who Jan Jun Peng is, or whether he even exists at all. But it doesn’t really seem to matter. This is by no means the first example of mass creativity to emerge out of cyberculture. (...) But what is remarkable about the Jia Jun Peng phenomenon is the sheer volume of participation, and the rate of spread. By 1:38 pm on July 20th, four days after the initial post, the thread reached its limit of 315,649 posts. It was 10,421 pages long. (...)


However, that this has happened in China may be an eye-opener for the rest of the world. The rapidity of China’s economic development of recent years is undeniable, but there remained question marks about the capacity of the People’s Republic for creative innovation given the tendency of the education system to promote rote learning over individual creativity. The Jia Jun Peng thread, though, sends a strong message into cyberspace: there are fertile imaginations aplenty among China’s 21st century youth, and, given the right conditions, there is huge creative potential.


Whether the government will provide those conditions remains to be seen. They certainly do not seem to be loosening their grip on the internet – the recently adopted ‘Green Dam’ policy decrees that all new computers be manufactured with in-built filtering software. But Chinese netizens don’t take this kind of thing sitting down. When the government tried to clamp down on internet profanity earlier this year, the public responded by inventing ten ‘mythical creatures’ whose names were pronounced in a similar way to the banned expletives they represented (the ‘French-Croatian Squid’, for instance, pronounced in Mandarin fa ke you, actually referenced the pronunciation of a well-known English insult). There developed a whole sub-culture surrounding these mythical creatures, with images, faux-documentaries and songs being produced. Call it protest, call it ridiculous – but you can’t say it’s not creative.(...)